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This Side of Brightness: A Novel, by Colum McCann
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From the author of Songdogs, a magnificent work of imagination and history set in the tunnels of New York City.
In the early years of the century, Nathan Walker leaves his native Georgia for New York City and the most dangerous job in America. A sandhog, he burrows beneath the East River, digging the tunnel that will carry trains from Brooklyn to Manhattan. Above ground, the sandhogs--black, white, Irish, Italian--keep their distance from each other until a spectacular accident welds a bond between Walker and his fellow diggers--a bond that will bless and curse the next three generations. Years later, Treefrog, a homeless man driven below by a shameful secret, endures a punishing winter in his subway nest. In tones ranging from bleak to disturbingly funny, Treefrog recounts his strategies of survival--killing rats, scavenging for discarded soda cans, washing in the snow. Between Nathan Walker and Treefrog stretch seventy years of ill-fated loves and unintended crimes. In a triumph of plotting, the two stories fuse to form a tale of family, race, and redemption that is as bold and fabulous as New York City itself. In This Side of Brightness, Colum McCann confirms his place in the front ranks of modern writers.
- Sales Rank: #234356 in eBooks
- Published on: 2013-06-25
- Released on: 2013-06-25
- Format: Kindle eBook
Amazon.com Review
This Side of Brightness weaves historical fact with fictional truth, creating a remarkable tale of death, racism, homelessness--and yes, love--spanning four generations. Two characters dominate Colum McCann's narrative: Treefrog, a homeless man with a dark and shameful secret, and Nathan Walker, a black man who came north in the early years of the century to work as a "sandhog," digging the subway tunnels beneath Manhattan. Tunneling is perhaps the most dangerous occupation a man could have; in the close, dark, and dangerous pits far beneath the city streets, differences such as color or ethnic background cease to matter, and Walker soon becomes friends with his crewmates: two Irishmen and an Italian. Then an explosion in one of the tunnels literally blows Walker and three other men up through the earth and into the East River. Walker survives, but his best friend Con O'Leary is never found. Leary leaves behind a wife and young daughter whom Walker marries many years later.
Walker's tale is told in alternating chapters with Treefrog's, who, before his slide into homelessness, chose a hazardous profession--this one high up in the bright sunlight--as a construction worker building skyscrapers. But madness has brought Treefrog out of the light and back to the tunnels that Walker helped dig as he scrapes out a meager existence among the drug addicts, alcoholics, prostitutes, and petty criminals that make up the homeless community. But the grimness of McCann's tale is leavened by the beauty of his prose and the intimations all through the book that, even on this side of darkness, redemption is possible.
From Library Journal
Called "New York's most visible up-and-coming Irish writer" by the New York Times, McCann skillfully evokes early 20th-century New York, where Irish mixed with African Americans and Italians to dig the tunnel under the East River.
Copyright 1998 Reed Business Information, Inc.
From Booklist
It is 1916, and somewhere under the East River in New York, the sandhogs and other workers labor through mud and muck and darkness to build a transit system for a fledgling metropolis. The sandhogs, the men out front who burrow through the earth, are the physically strong and mentally tenacious among the working poor; many of them once labored in mines. The earth is close in life and death; but they take pride in their work, which allows them a livable wage at the cost of their health. On this side of brightness, it is anathema to play the petty game of race that sports itself on earth's surface. Nathan Walker, a young black from Georgia, handsome, well formed, and generous, who reminds one of Melville's lovely Billy Budd, comes to New York with love in his heart for his home near the Okefenokee swamp and will build a bond with his fellow sandhogs--two Irishmen, Conn O'Leary and Sean Power, and an Italian, Rudy "Rhubard" Vanucci. Their bond is cemented in a way they could not have dreamed of when a small hole in the tunnel wall results in a spectacular river blowout. The tragedy shapes Walker's life in a story that spans generations. McCann is a fine and bold writer, as his previous books prove (Songdogs, 1995, and Fishing the Sloe-Black River, 1996). So it's not surprising to find him tackling the peculiar, unexplored, and violent nexus between the downtrodden and persecuted Irish and African American in a flawed promise land; but one is jolted by the level of understanding he conveys about the needs and compunctions of human existence. Bonnie Smothers
Most helpful customer reviews
49 of 49 people found the following review helpful.
Wonderful Work
By taking a rest
Colum McCann has written a beautiful book with his work, "This Side of Brightness". Beautiful in this case may seem odd, but I would use the word here as I would use it to describe a work by John Steinbeck. Human nature and behavior often has trouble rising above decent much less beautiful, but a talented writer can bring painful lives and experiences to paper in prose that is wonderful to read. The pain that is documented is not minimized, rather written in a way that allows the truth to remain unvarnished, and the prose to be rendered by an artist like Mr. McCann.
I have read about the men who dug the excavations for the caissons of the Brooklyn Bridge, but never for the hundreds of miles of tunnels throughout the boroughs of New York. Tunneling is an extremely dangerous occupation, and if possible is even more hazardous when tunneling under water. The men must work in highly pressurized rooms in order to keep the river from collapsing in upon them, and yet the pressure cannot be so great that the air violates the walls of the chamber blowing outward as opposed to being crushed. The book documents a true story of men that were literally pushed through the walls of the tunnel they were digging until ejected in to the river and then being blown out of the water. To live through such an experience has to rank with the most remarkable stories of survival.
The book shares two lives that are revealed in parallel as far as narrative, but are intertwined in practice. The lives of both men are occupied at various times by living/working underground, but ultimately one life is spent and finally ends beneath the river, while for the other it is a refuge that ultimately allows him to emerge once again to life above ground leaving his demons buried.
The author also explores prejudice in a variety of forms, and from the book's very beginning shows prejudice and racism for the absolute stupidity it is. Men of various color and ethnic backgrounds enter a vicious working environment where they not only work together but are willing to risk their lives for each other. Black, white, Irish, Italian, Polish, none of these characteristics have any meaning when below ground, once returned to the surface every vile behavior associated with race, and religion once again is in full blossom. Church leaders reinforce the worst and most ignorant tenets of institutional stupidity; de facto Jim Crow rules dehumanize its victims.
Colum McCann does not shy away from any topic of traditional controversy. He takes the reader through generations of a family begun by a white wife and her black husband, their children who are born in to a world that hates them even more than their all black father, if that is possible.
There is one issue I am unclear on and it stems from a quote on the jacket of the book. Frank McCourt writes of McCann's, "having been there", when he writes about homeless living under the city. My question is whether the author did live there for a time while writing this book, or whether he actually was homeless for a period of time. In either event it took courage to live there as an observer, and if the latter, both courage and a willingness to share a desperately difficult and personal part of his life.
15 of 15 people found the following review helpful.
Wonderful, surprising magical read!
By KDMask
This book was a rare find. My brother actually bought it and when I looked on the publishing page, I found it's a first edition. I do believe it will become a classic one day.
Billed as a tale of the "homeless" I found it much more an adult type "Holes"--a magical story that weaves it's way through time, bringing us to a finale that's intertwined with the beginning. It's also a facinating look at the building of the train tunnels between Manhattan and Brooklyn and the men who toiled underground, now largely forgotten. I especially loved the way history repeated itself through time and space, making the tunnels themselves a character in the book.
You won't be disappointed if you read this great work.
13 of 13 people found the following review helpful.
A remarkable achievement
By HORAK
In this epic novel, Mr McCann combines both historical facts and fiction. On the historical side, the story opens with the digging of a railway tunnel under the East River in New York in 1916. The reader follows the main character, a coloured man called Nathan Walker, a sandhog who struggles daily with his shovel against the earth. The working conditions are atrocious: the heat, the noise, the dirt, the physical strain - the digging was done by manpower in these days. Later Nathan marries Eleanor O'Lear, a white woman of Irish descent. Such a marriage was considered by most New Yorkers as a disgrace at that time. They bring up two children, both a social and a financial challenge.
Parallel to Nathan Walker's story, the reader follows another character, a homeless man nicknamed Treefrog who made his home in one of the many disused tunnels in New York in the 1990s. At first there appears to be no connection between Nathan and Treefrog but soon enough the reader discovers how and why they are linked in the novel.
With a marvellous narrative for its economy, Mr McCann constructs a beautiful epic story of laughter and tragedy, of sadness and small victories. It is an authentic account about homelessness, about living below the rich and about the stronghold of the past.
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